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You hear it everywhere, don’t you? People describe things like “Twilight” as “dark fairy tales.” Romantic comedies are always “fairy tale romances.” Any book with love, magic, a fairy, a prince, even *a pony* must be called a fairy tale. I think it’s written somewhere in a Very Important Book. Does this make me shudder? Yes. What do I think we should do about it? Absolutely nothing.

I think that one of my pet peeves is when purists in any given field start whining about how the Great Unwashed Masses are “doing it wrong.” “They just don’t understand” seems to be the sentiment. Why can’t they realize that the fairy tale is a historical, literary form which sprang up from a combo of French Salons, “blue books,” German bourgeois culture, with a little folk culture mixed in? Now what’s so hard about that?

Here’s the thing: I think that the over-use of “fairy tale” should actually be studied as an interesting phenomenon rather than decried as something silly. People are using the words because they mean something, or because they think they should mean something. So what exactly is that “something,” anyway?

Let’s look at two of my favorite example of this phenomenon. I know you’ll like the first one: it’s that timeless Julia Roberts movie Pretty Woman

Pretty Woman

The Fairy Tale of Our Time

You remember that scene from Pretty Woman , right? That one where Richard Gere asks Julia Roberts what she wants from him, and she gives him that whole spiel about the prince and the white horse rescuing her from the tower. “I want the fairy tale,” she says. Usually, this is the point in the film when I have a stroke. Read the rest of this entry »

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Warning: this blog contains fairy tales (which may be unsuitable for grouches), a flying pig (which may be unsuitable for realists), and textual analysis (which may be unsuitable for chemists). You stand warned.

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